Transcendent Country of the Mind - The Eriskay Connection
Transcendent Country of the Mind
  • Sari Soininen (FI)

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210 × 280 mm
80 pages
English
Swiss-bound softcover
TEC102
First edition: 500
9789492051899
  • Transcendent Country of the Mind - The Eriskay Connection
  • Transcendent Country of the Mind - The Eriskay Connection
  • Transcendent Country of the Mind - The Eriskay Connection
  • Transcendent Country of the Mind - The Eriskay Connection
  • Transcendent Country of the Mind - The Eriskay Connection
  • Transcendent Country of the Mind - The Eriskay Connection
  • Transcendent Country of the Mind - The Eriskay Connection
  • Transcendent Country of the Mind - The Eriskay Connection
  • Transcendent Country of the Mind - The Eriskay Connection
  • Transcendent Country of the Mind - The Eriskay Connection
  • Transcendent Country of the Mind - The Eriskay Connection
  • Transcendent Country of the Mind - The Eriskay Connection
  • Transcendent Country of the Mind - The Eriskay Connection
  • Transcendent Country of the Mind - The Eriskay Connection
  • Transcendent Country of the Mind - The Eriskay Connection

Concept, photography and text:
Sari Soininen

Proof reading:
Janne Haapaniemi

Design:
Rob van Hoesel

Lithography:
Sebastiaan Hanekroot (Colour&Books)

Production:
Jos Morree (Fine Books)

Print:
Wilco Art Books (NL)

Binding:
Patist (NL)

Supported by:
TaiKe
Frame Finland
Finnfoto

What if a transcendental experience changes your life forever?

Transcendent Country of the Mind explores encounters with alternative dimensions of reality and perceptions of otherworldly signs around us. It tells a story of the subconsciousness, about the world that resides in the back of our minds.

In her early twenties, Sari Soininen (FI) regularly and excessively experimented with LSD, which eventually resulted in an extended psychotic episode that impacted her life profoundly. Fundamentally, this experience changed the way she perceives her surroundings and reality itself: she let go of all her worldly possessions, saw Heaven and Hell and was confronted with a different perception of time and space.

Revisiting this traumatic yet eye-opening experience was a way for Soininen to let go of it. Transcendent Country of the Mind is a representation of this event and offers other similar glimpses of what she discovered behind the curtain of reality. This colourful body of work is a kaleidoscope of mesmerising landscapes, unfamiliar portraits and more. It shows the vivid world around us in all its beauty and darkness. What lies beneath and sparkles above? A journey towards the undiscovered.

Sari Soininen is a photographer based in Helsinki. Her colourful and otherworldly photography draws from philosophical thoughts and mystical experiences, providing the viewer with alternative ways of perceiving reality. She holds an MA from UWE Bristol, BA from Lahti Institute of Design and carried out exchange studies at Edinburgh College of Art. Her latest work is published in FT Weekend Magazine, Fisheye Magazine, British Journal of Photography, and Liberation Magazine, and has been featured in various exhibitions and festivals throughout Europe.

“In Soininen’s photographs, the world is rendered otherwordly and everyday reality seems heightened and elementally mysterious. The branches of spreading trees seem electrically charged with light; a flock of pigeons hover in the air as if suspended; hedgerow flowers glow with an infra-red intensity. Soininen eschews post-production trickery, instead using colour gels when shooting. Blessedly she does not attempt to describe the psychedelic experience in all its sensory overload. Instead, her images are freighted with subtle clues that suggest the ways in which the drug can alter people’s perceptions as well as erode their logic and rationality.” (Sean O'Hagan)

The Guardian

“Soininen’s photographs capture vivid, hyper real colours, impossibly complex and detailed structures, ordinary objects imbued with a sense of extraordinary significance, and a feeling of the absolute connectedness of all things in the world. For anyone who has themselves used hallucinogens, these images will resonate strikingly with the experience. The book does an impressive job of communicating part of what it is that makes these substances so attractive, the type of heightened awareness that makes the familiar strange, and the strange familiar.” (Lewis Bush)

c4 Journal

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