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Photography:
Xiaoxiao Xu
Essay:
Maria-Caterina Bellinetti
Proofreading:
Joy Phillips (The Language Collective)
Design:
Rob van Hoesel
Cartography:
Mandy Peeters
Carel Fransen (data)
Scans:
Fotolab
Lithography:
Marc Gijzen
Production:
Jos Morree (Fine Books)
Print and binding:
Wilco Art Books (NL)
Supported by:
Mondriaan Fund
For Watering My Horse, Xiaoxiao Xu (CN/NL) followed the lives of the people along the foot of the Great Wall of China, a road trip of 25,000 kilometers. Contrary to what many people think, the Great Wall is not a single continuous construction, but rather a collection of walls and towers built during various Chinese dynasties. Xu follows the section of the wall from the Ming dynasty and takes us to the ruins of the older parts. Despite the decline, there is a lively relationship with the wall among the local population that honour and protect the wall.
Xu tried to discover the impact of fast-growing China on this historic site. What does the wall reflect today? Which elements have disappeared and which remnants have survived? She discovered that the villages at the foot of the Great Wall are some of the last places where people still live according to old traditions, but here too, these are gradually disappearing. Her work focuses on the visual transformation of this process. From place to place she tries to catch a glimpse of the past.
The book contains an essay by Maria-Caterina Bellinetti (US). She is a writer and art historian specialized in photography, Chinese visual culture and propaganda. In her essay she writes about the wall as a symbol and connections the work of Xiaoxiao to the history of the wall.
Xiaoxiao Xu (1984) is a Chinese-born artist and photographer who moved to the Netherlands at the age of fourteen. Her cross-cultural experiences have significantly influenced her photographic practice, and reflects her dual perspective as both insider and outsider. Xu graduated from the Photo Academy in Amsterdam in 2009 and has since established herself as a unique voice in contemporary photography. Her work often navigates the delicate line between documentary and autonomous work. Xu exhibited internationally at the Jimei × Arles International Photo Festival in China, Foam Amsterdam, FoMu in Antwerp, among others, and received several awards and recognitions, including the New Talent Photography Award and the LensCulture Emerging Talent Award.
“Ultimately, this isn’t really a book about the Wall. Watering One’s Horse isn’t about seeing the wall, it’s about the wall as a space through which one travels, sees and learns. Xu is a traveller here, as much as she shows the wall, she is really showing how the past relates to the present (and where it doesn’t) using travel as a method to uncover what endures and remains.” (Matte Dunne)