• Thomas Locke Hobbs (US)

An appreciation of the sculptural and expressive quality of the small ramps used to wheel bikes inside at night in Medellín, Colombia.

• Thomas Locke Hobbs (US)

An appreciation of the sculptural and expressive quality of the small ramps used to wheel bikes inside at night in Medellín, Colombia.

• Martin Tscholl (DE)

Meadows, forests, and mountains in a web of interconnections extending beyond the realm of humans, but originating from the same ontological ground.

• Martin Tscholl (DE)

Meadows, forests, and mountains in a web of interconnections extending beyond the realm of humans, but originating from the same ontological ground.

• Angeniet Berkers (NL)

The compelling history of the programme to provide the Third Reich with a new generation of leaders, focusing on the personal consequences for those involved.

• Barbara Debeuckelaere (BE)

A collaborative photography project with Palestinian women in Hebron, showing the world their perseverance under occupation, as the ultimate act of resistance.

• Anna Püschel (DE/FR)

A collection of definitions of words related to knowledge from a broad range of sources, showing that we have always yearned for the truth.

• Lana Mesić (NL)

An examination of the role and meaning of the enemy image in the complex history and contested borders that shaped the countries of former Yugoslavia.

• Lynn Alleva Lilley (US)

A silent observation of the vegetation and animals in the woods around Sligo Creek, arousing what is not directly perceptible to the senses.

• Lynn Alleva Lilley (US)

A silent observation of the vegetation and animals in the woods around Sligo Creek, arousing what is not directly perceptible to the senses.

• Pablo Cabado (AR)

A slow exploration of a deserted island in Patagonia, home to the ruins of an experimental fusion reactor built by German scientist Ronald Richter.

• Cécile Hupin (BE)
• Katherine Longly (BE)

Comparing dream to reality by giving a voice to those who won or came close to winning a jackpot, for better or for worse.

• Seppe Vancraywinkel (BE)

An ode to a friendship in which notions of time, space, adulthood, masculinity, and intimacy are spontaneously reconfigured in a playful manner.

• Seppe Vancraywinkel (BE)

An ode to a friendship in which notions of time, space, adulthood, masculinity, and intimacy are spontaneously reconfigured in a playful manner.

• Hiske Altena (NL)

A visual exploration of the ‘clay hypothesis’, the theory according to which clay helped the evolution of early life forms.

• Stephen Cornford (GB)

A colourful speculation on the deep future of electronic waste as it sediments into Earth’s stratigraphic record.

• Stephen Cornford (GB)

A colourful speculation on the deep future of electronic waste as it sediments into Earth’s stratigraphic record.

• Stephen Cornford (GB)

A colourful speculation on the deep future of electronic waste as it sediments into Earth’s stratigraphic record.

• Tanja Engelberts (NL)

A photographic exploration of the offshore oil and gas industry, highlighting the raw structures on the sea while evoking a sense of awe and guilt.

• Peter Pflügler (AT)

An intimate journey through the labyrinth of a family secret, focusing on the impossibility of secrets and intergenerational trauma.

• Kristof Titeca (BE)

A collage of decorative and political works from Nasser Road, Kampala, a mythical place known for its printing trade and as a centre of fraud.

• Sheung Yiu (HK/FI)

The transformation of a physical desktop into a digital world by using projective texturing to create a dataset of 3D objects.

• Regine Petersen (DE)

An allegorical tale about the world’s most prominent Passion Play and its inherent antisemitism, and daily life in the village of Oberammergau.

• Karine Zenja Versluis (NL)

An exploration of a family history in the Donbas, Ukraine results in a puzzling search for a city that may never be found.

• Sari Soininen (FI)

The portrayal of a transcendental experience that explores encounters with alternative dimensions of reality and perceptions of otherworldly signs.

• Thomas Locke Hobbs (US)

A documentary study of domestic architecture in Los Angeles that exposes the veins of a city, in conflict and coexistence, with a poetic obliviousness.

• Jos Jansen (NL)

The exploration of new ways to represent the uncertainty of the era we currently live in by searching the limits of lens-based image making.

• Zindzi Zwietering (NL)

The prospect of Day Zero, the day that the city of Cape Town would run out of water, questions how urban citizens relate to a changing earth.

• Sem Langendijk (NL)

A documentary fiction about the environments of port cities, highlighting the transformation of disused docklands and its communities.

• Youqine Lefèvre (BE)

Intimate stories of Chinese girls living by the regulations of the one-child policy: separated from their families and registered for adoption.

• Oriane Thomasson (BE)

A mosaic of photographic work and archival materials assembled into a new narrative like a cabinet of curiosities.

• Xiaoxiao Xu (CN/NL)

A portrait of the mysterious and colourful world of Shèhuo, a Chinese festival for welcoming the warmth of spring and the joy of blossoming trees.

• Marjolein Blom (NL)

Mysteries from the everyday, interwoven with images from the NASA archive. A kaleidoscopic work of oddities, focusing on the notion of the attempt.

• Crystal Bennes (US)

Extensive research on the invention of modern computers, the history of nuclear weapons and, in particular, the narratives of the women involved.

• Michael Yuan (CA)

An intimate portrait of the Golden Gate Bridge, with all its characteristic faces that have never been presented before.

• Sibylle Eimermacher (DE)

A visual record of observations of glacial erratics in Dutch terrains and their Scandinavian bedrock.

• Marc Schroeder (LU)

A documentary research into the deportations of ethnic Germans from Romania to Soviet forced labour camps on Stalin’s order in 1944.

• Ton Grote (NL)

An ode to life, and an archaeological narrative of a recent history, containing an extensive photo archive of all objects from a parental home.

• Ton Grote (NL)

An ode to life, and an archaeological narrative of a recent history, containing an extensive photo archive of all objects from a parental home.

• Polymorf (NL)

A speculative future, investigating the effects of a symbiotic exchange of genetic and cultural traits.

• Sheung Yiu (HK/FI)

An observation of the quest to develop an improved interpretation model of satellite data for remote sensing research.

• Arturo Soto (MX)

A counter-narrative of the British city of Oxford that resists the visual imperatives of its ancient university.

• Thorsten Baensch (DE)
• Norbert Schöbel (DE)

A richly illustrated travelogue documenting the contemplative aspects of 12 years of hiking through Central Europe.

• Jana Hartmann (DE)

A photographic research on the scientific exploration and conquest of nature from the beginnings of alchemy until the present day.

• Dániel Szalai (HU)

A collection of portraits of the eponymous breed of chickens that was developed for using its eggs in the production of medicines and vaccines.

• Mathias de Lattre (FR)

A research project on psilocybin, mycology and medicine, stemming from the search for a therapy for the photographer’s bipolar mother.

• Sander van Wettum (NL)

An exploration into the off-season state of seaside resorts of the coastlines of Southern Europe, along surreal architecture, spaces and atmospheres.

• Vaste Programme (IT)

An alleged collection of photographs and notes on the surroundings of remote Siberian roads and towns.